Let the Plotting Complete!

Yesterday, I did an unthinkable thing – I completed the plotting of Unearthing Magic.

But this didn’t happen without hiccups along the way.

The first thing I encountered was trying to think in terms of scenes. After all Save the Cat is about screenplays, so of course it’s looking at scenes. This meant, if I used Snyder’s method, that I would include on my post-its:

• Setting (interior, exterior, one per scene)
• What happens (short sentence)
• +/- (The emotional change)
• >< (the conflict, every scene has one)

My initial introduction of the characters, Snyder's way

I got about fifteen post-its in, laboring on each one for fifteen minutes or more over the course of two or three days. It wasn’t working for me, so I took a step back because one of my life’s lessons has been; people think in different ways, even if they are good at the same things.

~You see in college, I had a friend who was a Chemist, like me. We took the same classes, studied in the same group, and got the same grades, until we hit the mandatory programming class. The language doesn’t matter (Fortran77 is you must know), what does was the fact that I breezed though (creating programs on the side), while she struggled. Turns out my brain can think like a computer, but hers couldn’t.~

So instead of continually bashing my brain against Snyder’s method until I plotted the whole thing, I looked at the result that was desired – a series of steps that could be followed to be expanded into chapters of a book that moved through a plot progression – and tried to come up with my own method for getting there. Then *BAMN!* I remembered something I did during NaNo 2011:

-  To ensure I didn’t lose the flow of the story when I had to stop, I tries to always write a sentence or two, summing up my thoughts on where things were going. For Example:

"<In which Rachael and Michael deliver Transium to Terra Firma 2 and Rachael is waylaid by a couple of UCPA authorities, who quickly realize they are in over their heads.>"

Okay so it worked as a word count booster, but more importantly it helped with the flow because I ended with 82k words (compared to my 53K of NaNo2010). It was time to see if it’d work for pre-plotting.

The character introductions, my way

Clearing my board of plot (keeping title and log line), I started fresh, using sentences beginning with “In Which”. I had to do a little rewriting at one point because I picked the wrong colors to do Point of View in, but then it started to flow. I mean really flow – suddenly in two or three sittings I’d reached the mid-point. And then in two or three more I’d cascaded to the finish line.

Now, my work isn’t done. I’ve already spotted some potential weak points and are thinking about rearranging the view point order (Blue and Green are the two foreign Princes, and Purple is the farm girl). Plus who knows what the story will do once I actually start writing it. But maybe, this time, there might be more of a plot than Rachael and company in the Nueri gave me for NaNo2011.

The next step – to do a little more characterization on my main characters. So who would you like to see answer some Beautiful People questions first:

• Lori – the farm girl who finds out she a magi, from the country that suppresses magic use
• Travis – heir to the throne of the neighboring kingdom and an average magi
• Andrew – the older brother of Travis, who lives in Lori’s country and isn’t a Magi
• A random supporting character, protagonist or antagonist.

:} Cathryn Leigh

Loglines, Beats and the Board!

I’ve read three more chapters in “Save the Cat”, but before I get to them I’m going back to loglines. After all having one might make writing the story easier, since it lays out the plot. The funny thing is I’ve been working on my Phoenix Trilogy in parallel with my NaNovel2012, which we’ll call Trabia. I know it needs a better name, and according to Blake I should get one before I write the story, but I like working titles. Besides it’s short enough for simple file names. *grins*

Right so back to Loglines ... (no not lines made of logs... I wish it were that simple!)

Here’s what I got for My Phoenixes:

Sarah’s Phoenix: An independent young woman is ported to an old world society and must choose between stoking the hearth fire, or wearing pants to help her love stop a war.

Phoenix Rising: An independent woman wearing pants must prove her worthiness to her love’s superiors, if a war-mongering General doesn’t kill them first.

Phoenix Triumphant: Ready to settle down with her love, an independent woman is called upon to rescue the Princess in a covert operations, in the hopes of uniting two kingdoms.

And here’s what I got for Trabia. I wish it was one, but I’m waffling on what it will be. (Rough sketch by me of a young Magi's learning tools: Pouch, Mirror, Key and Book)

1.  A hardworking girl on the verge of womanhood discovers she’s a magi in the land of non-magi.
2.  A late blooming magi becomes the only hope of stopping a powerful magi’s undead army.
3.  A young Prince sets out to implore the help of his aunt, only to find her unexpected daughter instead.
4.  A young girl and her cousins must hone her skills, physical and magical, so that she can help defeat a powerful magi trying to take over the world
5.  Three teens must learn their weaknesses and strength to help thwart an evil magi trying to take over the world.

Unfortunately, I need to pin down my loglines (according to Blake) before I start on the beat sheet, which he suggests is best done on The Board – the Board being a story board broken into four lines (see below) with 40 scene cards split between them. I might be able to start doing that with my Phoenixes, once I figure out what kind of portable board I want to use.

Portable is key, because I work at my desk at home, on my lunch break at work and in libraries (loving the one I’m currently at – outside seating!).  However, the other key thing is that the scenes that you put on the board should be movable too, yet also able to stay where you put them. (And apparently if I had an iPhone, there’s an app for that) *eyeroll* (or I can buy the software)

And there you have it, my quest for this week – find a Board I can use for my plotting. So if you have any thoughts (Notepad and sticky notes maybe?) I’d appreciate them. Or even better, I’d LOVE, to hear your thoughts on my loglines. *grins*  Thanks.

:} Cathryn Leigh

Sarah Saves the Cat! I Think...

As mentioned in my last blog post, I was going to read Save the Cat! (The Last Book OnScreenwriting that You’ll Ever Need), which is by Blake Snyder. No, I’m not writing a screen play. Just because the book is about making movies doesn’t mean there isn’t something that can be taken away and used for books.

For instance, Catherine Ryan Hyde did a guest post on Anne R. Allen’s Blog on what can happen to a book when it’s turned into a screenplay. Reading Blake Snyder’s book explains why some of that happens. I’m not sure a lot of books follow his fifteen beat plot. But, apparently that’s what makes a movie successful. After all the audience wants their entertainment in short time frame.

Not to mention I’ve seen the book pop up on other blogs, or maybe it’s just that Roni Loren (steamy romance novelist) has mentioned it, a lot. So I ordered the book, it was delivered and I’ve read through chapter four. And what all has Blake been talking about in chapters 1 through 4? I’ll tell you, using My Phoenixes for my examples. *grins*

Chapter One is about the logline – that one line that you use to get people interested in your story. He suggests walking up to strangers and pitching your idea, but, I’m not quite sure I’m up to that sort of thing, so I’ll pitch it here. Unfortunately, it’s for the trilogy and focused on Sarah. If you have suggestions to improve it, I’ll gladly take them. 

• Logline: A war weary independent young woman finds herself in a medieval world helping her future husband save it from a warmongering General

Chapter Two is about Movie types – not necessarily genres, because each type can be made into any genre. What Blake is talking about are story lines. In a condensed format like a movie, you’re pretty much going to have one (I’m beginning to see how I could apply this to a short story). In a novel I suspect you might have more than one of his 10 types. I pined my trilogy down to three

• Phoenixes Blake Types: Dude with a Problem (there’s a war to avert), Buddy Love (the romance), and Institutionalized (the sacrifice of one for many, military mind set).

Chapter Three is whom the story is about and the Primal urges that connect it with the audience. In addition, there is an emphasis on growth of the protagonist. Someone once told me that Hasón was too perfect. They might be right. He has no growing to do, while Sarah has loads.

• It’s about a Guy Who:  Sarah’s a war weary, independent young woman. Hasón’s a staunch commander who follows his gut. Wholwaski is a conniving war mongering General.
• It’s Primal Elements Are:  Survival, Protection of Loved Ones, and Fear of Death

Chapter Four is about Blake Snyder’s beats. One story, split into Three Acts, that are broken down into a total of fifteen “beats”. Each one to be placed in the script at specific point for maximum effect. Let me summarize them in my words, as best I can.

1. Opening Image: Shows us where the hero begins, his life before the story happens
2. Theme Stated:  Someone states something that clues us into what the story’s theme is
3. Set-Up:  Where we meet everyone in the A Story, showing what needs fixing in the hero’s life
4. Catalyst:  The thing that turns the Hero’s world upside down and starts him on his journey
5. Debate:  The answer to the question of – can the hero handle what he’s been tasked with and how?
6. Break Into Two:  The hero takes the action that leads from his life onto the path of his new life
7. B Story:  It’s a break from what’s been going on and introduces new people to the hero
8. Fun and Games:  Slightly lighter in tone than the rest, it’s the fun part – the part that trailers take their clips from...
9. Midpoint:  Halfway through, the hero gets a small, or false full, victory though sometimes it can be a down as well as an up
10. Bad Guys Close In:  Everything begins to align against the hero as the bad guys close in for a win
11. All is Lost:  There is a whiff of death, be it metaphorical or actual, where it seems the hero has lost
12. Dark Night of the Soul:  This is how the losing affects the hero, how it manifests itself
13. Break Into Three:  But now the Hero has a solution taken from both the A story and B story
14. Finale:  The hero wins and his old world has  now completely transformed into his new world
15. Final Image:  A mirror image of the opening image, showing us how far the character has come

Art by Gabriel Morrison

I tried beating out Sarah’s Phoenix and found myself mixing it with Phoenix Rising – clearly a novel can have a lot more going on in it than a movie can – that’s why books are so often better. It’s also helped me realize that the story revolves very much around Sarah – after all it’s all from her viewpoint right now. But, I’m going to change that and Hasón is going to become less than perfect so the two of them can grow together.

At least that’s what I’m hoping.

But, for NaNo2012, I’ve decided to pick on ‘Lori and her Boys’. You’ll be hearing more about them as the march towards November continues!

:} Cathryn Leigh